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#Zen studio 2 trs inserts external effects portable#

The FX part of title refers to the inbuilt suite of reverbs, delays and multi-effect treatments. There are two mic channels on this model, both utilising the company’s GSPre boutique preamp design taken from their GS-R24 recording console, promising low noise and high headroom along with a degree of analogue warmth. While Allen & Heath’s engineers may not sleep much, they certainly manage to keep knocking out new ZED-series mixers! The diminutive ZED-6FX is the subject of this review, and it is well suited to smaller live performance setups or duos who need onboard effects and a combination of mic and line input channels.

#Zen studio 2 trs inserts external effects portable#

What’s important is that you try every combination and see which sounds the best.This handy little mixer exhibits all the qualities you’d expect from Allen & Heath, in a highly affordable and portable format. Sometimes only send the drums to B and the samples that support it to B and stereo buss, sometimes I don’t.

The process is up to an individual’s taste and of course the application which dictates the approach towards the sound you are looking for.

To be used in combination with other categories for glue factor.

D – Instruments that need the warmth of tube and are not played staccato.

C – Instruments that create transient midrange power and will have a lot of rides, such as guitars.

Choose instruments that will compliment each other. Adding more bass or kick will only have an effect on the other instruments assigned to B.

B – Instruments that anchor the song such as drums, bass, maybe cello, congas.

Bring up the vocal a lot and it will only effect the instruments assigned to A Choose instruments for a buss that will compliment each other.

A – Instruments that are in the upper midrange of a song, such as vocals or keyboards, synths, percussion.

Separate instruments into different categories that will allow freedom of movement. *Mono CHANNEL conversion available on fixed group multibus only STEREO TO MONO conversion switch available only after RETURN / before /signal enter to master summing network See ABCD multi–bus compression routing diagram Horizontal Switch placement – YouTube video Vertical Switch placement – YouTube video

Use your DAW inputs or mic pres for the gain, that way you have flexibility over the character.ĭiscrete dual balanced signal require 2 x 12 = 24 point solid state dual stereo balanced switching networkĭual switch: keeps it clean and isolated the dual balanced stereo signal flow from input to output Passive mode: gain makeup by Your external micpres or DAW amplifiersĪctive mode: gain makeup by inside amp Neumann/Filtek/Lawo/NE2OXĪctive mode extended : Internal Transformer Amp + (your) External preampsġst switch: signal to Inside amp (passive mode disabled)Ģnd switch: Inside amp signal to master out (passive excluded from signal chain)ġst switch: signal to 2nd (bypass Internal amp)Ģnd switch: signal to master out (Inside amp excluded from signal chain) There are two ways to control by A/P switch: This function enables to connect different kind of mic preamp instead of internal ampįreely can use a completely different sounding amplifier for gain makeup Passive = UAD Apollo Preamps (your preamp)Īctive 1 = Neumann Internal Transformer Amp

Active 2 = use Both Internal Transformer Amp + External preampsīenefits: Different amp = Different sound COLOR / Character Example:.

Active 1 = Internal Transformer Amp (Neumann/Filtek/Lawo).

What’s the 2 in 1 (two in one) Active Passive switch?